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IF IT'S GOT A BEAT, A MELODY, OR A WILD TWIST, WE'RE ALL ABOUT IT. FROM THE STRANGE AND SPECTACULAR TO THE DOWNRIGHT MIND-BLOWING, MUSIC IS WHAT WE LIVE AND BREATHE... |
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IF IT'S GOT A BEAT, A MELODY, OR A WILD TWIST, WE'RE ALL ABOUT IT. FROM THE STRANGE AND SPECTACULAR TO THE DOWNRIGHT MIND-BLOWING, MUSIC IS WHAT WE LIVE AND BREATHE...
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MEDEIVAL DYNASTY
TEENAGE ENGINEERING
Hear ye, hear ye! Behold the EP–1320, the world’s first medieval electronic instrument. From the melodious strains of hurdy gurdys and lutes, to the solemn intonations of Gregorian chants, the thunderous rolls of drums, and the harsh clamour of percussive foley effects, the EP–1320 stands in its' own lane. Allowing you to do what no other electronic instrument has allowed you to do before...
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To celebrate the launch of the AF Reflect x Houghton 2024 sunglasses at Goodhood, we’ve partnered with Houghton Festival and AF Reflect Eyewear for an exclusive giveaway.
Additionally, the festival has provided us with a special 20% discounted link just for you all, click the go to Houghton link below to take advantage of this...
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| | Kieran Hebden AKA Four Tet, known large-stage performances filled with unexpected tracks is also famed for contrasting this with masterfully deep productions, has released a new record. Entitled Three, the record embodies these productions encompassing a broad spectrum of his musical styles, including house, downbeat, hip-hop, UK garage rhythms, and ambient, all while maintaining his distinct Four Tet touch. This'll get you in the mood for festival season, or help you get through your post-festival recovery. | SOS is the second studio album from GRAMMY award winning singer SZA, and the follow up to 2017’s major label debut album Ctrl. The genre-blending album contains elements of pop, R&B, soft-rock, gospel, and hip-hop. SOS features guest appearances from Travis Scott, Don Toliver, Phoebe Bridgers, and the late Ol’ Dirty Bastard. SZA worked with a variety of hitmaking producers including Ctrl collaborators ThankGod4Cody and Carter Lang, along with Jeff Bhasker, Rob Bisel, Benny Blanco, Kenny “Babyface” Edmonds, Emile Haynie, Rodney “Darkchild” Jerkins, Jay Versace, and more. |
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| | Fugazi’s third album arrived in 1993 when the underground began seeping into the mainstream. The D.C. band stayed raw and visceral, growing their fanbase while keeping their famous DIY ethics intact. | Master percussionist Bonjo Iyabinghi Noah and producer Adrian Sherwood return with their first new studio album in twelve years, maintaining the hypnotic hand drums, mind-bending arrangements, and dubwise production that define their classic sound. Featuring inimitable guest vocals by award-winning Ghanaian kologo master King Ayisoba, this record continues their evolution from their 1981 project inspired by Brian Eno’s vision of a psychedelic Africa.
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FOUR TET
THREE
Kieran Hebden AKA Four Tet, known large-stage performances filled with unexpected tracks is also famed for contrasting this with masterfully deep productions, has released a new record. Entitled Three, the record embodies these productions encompassing a broad spectrum of his musical styles, including house, downbeat, hip-hop, UK garage rhythms, and ambient, all while maintaining his distinct Four Tet touch. This'll get you in the mood for festival season, or help you get through your post-festival recovery.
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SZA
SOS
SOS is the second studio album from GRAMMY award winning singer SZA, and the follow up to 2017’s major label debut album Ctrl. The genre-blending album contains elements of pop, R&B, soft-rock, gospel, and hip-hop. SOS features guest appearances from Travis Scott, Don Toliver, Phoebe Bridgers, and the late Ol’ Dirty Bastard. SZA worked with a variety of hitmaking producers including Ctrl collaborators ThankGod4Cody and Carter Lang, along with Jeff Bhasker, Rob Bisel, Benny Blanco, Kenny “Babyface” Edmonds, Emile Haynie, Rodney “Darkchild” Jerkins, Jay Versace, and more.
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FUGAZI
IN ON THE KILLTAKER
Fugazi’s third album arrived in 1993 when the underground began seeping into the mainstream. The D.C. band stayed raw and visceral, growing their fanbase while keeping their famous DIY ethics intact.
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AFRICAN HEAD CHARGE
A TRIP TO BOLGATANGA
The legendary collaboration between master percussionist Bonjo Iyabinghi Noah and producer Adrian Sherwood return with their first new studio album in twelve years. Originally conceived in 1981 as an attempt to make Brian Eno’s “vision of a psychedelic Africa” exist in musical form, the project has evolved and mutated over the years but all the hallmarks of their classic sound are present and correct on this record: hypnotic hand drums driving rhythms to move your head and feet; coupled with mind-bending arrangements and dubwise production. Inimitable guest vocals by the award winning Ghanaian kologo master, King Ayisoba lend an extra dimension.
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