|
|
|
|
|
|
|
|
| |
Watch Grammy®-winning producer/engineer Scott Jacoby (Coldplay, Jason Mraz, John Legend) break down his method and explain the 3 aspects of mixing you should be paying attention to in every mix in order to realize your vision.
|
|
|
| |
|
|
| |
|
|
|
|
|
| |
Don’t just use Vocal Bender to warp one vocal, use it to loop in real- time multiple layers and textures with different-sounding voices. Watch Rachel K Collier perform a song and explain her Ableton live Vocal Bender looping setup.
|
|
|
| |
|
|
| |
|
|
|
|
|
| |
Reverb molded the sound of vintage recordings. Learn what makes Abbey Road’s Plate and Chamber reverbs—used by the Beatles and Pink Floyd among others—so special, and how to use them effectively in your music.
|
|
|
| |
|
|
| |
|
| |
|
|
|
|
| |
|
|
|
|
| |
| |
Waves Live solutions bring superior sound to live shows and streams—from the world’s largest tours, to theaters, clubs, festivals, churches, and live events everywhere.
|
|
|
| |
| |
We are now glad to enhance our offering of bundles for live sound, including a brand-new bundle—Live Plus—as well as plugins added to Live, Pro Show, and SD7 Pro Show.
|
|
|
| |
|
|
| |
|
| |
|
|
| |
|
|
| |
| |
Get the plugins you have been waiting for
|
|
|
| |
| |
This Labor Day, get the most plugin value and supercharge your production power.
|
|
|
| |
|
|
| |
| |
*Excludes Abbey Road Studio 3, Clarity Vx Pro & DeReverb Pro, TRACT, Feedback Hunter, X-FDBK, Spherix, B360. Terms & conditions.
|
|
|
| |
|
| |
|
|
|
|
|
|
| |
230+ Waves plugins: The industry’s biggest catalog
|
|
|
| |
All plugin updates, always available to you, no extra charge
|
|
|
| |
New plugin releases added regularly to your subscription
|
|
|
| |
2 licenses for activation on 2 machines
|
|
|
| |
Waves Stream: Remote music collaboration
|
|
|
| |
The full power of StudioVerse: 1000s of easy-to-use mix chains
|
|
|
| |
|
|
| |
| |
Waves Creative Access contains the entire catalog of Waves plugins, excluding DTS broadcast plugins, Dugan Speech, and Waves live mixers & racks.
|
|
|
| |
|
|